17,184 Royalty-Free Audio Tracks for "Audio Files Of Die Zauberflöte"

Pyotr Ilyich Tchaikovsky's 1812 Overture performed by the United States Army Band, led by Colonel Thomas Rotondi, Jr. in 2005

Johann Sebastian Bach

Władysław Tarnowski ps. Ernest Buława „Sonate pour piano composéed et dediée à son ami Br. Zawadzki”, V. Kratochwill, Wiedeń, maj 1874. Obdarowanym dedykacją był jego przyjaciel Bronisław Zawadzkiego wydawca i redaktor różnych pism literackich, w których ukazywały się drukiem utwory Władysława Tarnowskiego. Część 7 i ostatnia sonaty: „Scherzo Finale” Ta cześć z mottem: „Au diable tout! (Berlioz Memoires.)” Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 15:48, 29 March 2018 (UTC)), marzec 2018. Z podziękowaniem dla Österreichische Nationalbibliothek za udostępnienie mi partytury.

Enrico Caruso's performance of "Recondita armonia" from Giacomo Puccini's 1900 opera Tosca. This is Matrix B-8347, recorded 6 November 1909, and released under various labels full details

Johann Sebastian Bach

String Quartet no. 19 in C major, K. 465 (“Dissonance”) opening

Johann Sebastian Bach

Mahler Symphony No. 5, III. Scherzo

Academic festival overture, op. 80 (Akademische Festouvertüre)

Enrico Caruso singing "La donna è mobile", from Giuseppe Verdi's opera Rigoletto.

The traditional bluegrass song Footprints In The Snow, performed by Cliff Carlisle (vocals, steel guitar) and his brother Bill Carlisle (guitar)

Grand March from w:Aida, recorded for the Marine Band album, Retrospective, June 3-7, 2002, Center for the Arts, w:George Mason University, Fairfax, Virginia

The Lights Out March played at the end of every athletic event by the University of California Marching Band.

A short extract from a rendition of a traditional song by the Butterfield Blues Band from the 1966 album East-West.

Symphony No. 3 in E Flat Major Eroica, Op. 55 - IV. Finale Allegro molto

Symphony No. 3 in E Flat Major Eroica, Op. 55 - I. Allegro con brio

Air de Samson et Dalila chanté par Marie Delna

Mozart Jupiter Finale, bars 389-396

Beethoven Symphony No 6, fourth movement, bars 3-8

Enfin la Beauté by Etienne Moulinié, an "air de cour", performed live by myself: Enfin la beauté que j'adore Me fait cognoistre en son retour Qu'elle veut que je voye encore Ces yeux pour qui je meurs d'amour Mais puis que je revoy la beauté qui m'enflame, Sortez mes desplaisirs hostez vous de mon ame. Le ciel voyant que son absence M'oste tout mon contentement, Octroye à ma perseverance La fin de mon cruel tourment: Mais puis que je revoy la beauté qui m'enflame, Sortez mes desplaisirs hostez vous de mon ame. Mes maux changés vous en delices, Mon coeur arrestés vos douleurs, Amour bannissez mes supplices, Mes yeux ne versez plus de pleurs: Mais puis que je revoy la beauté qui m'enflame, Sortez mes desplaisirs hostez vous de mon ame.

Mozart Trio from Wind Serenade K388

Piano Sonata, op. 111, first movement concluding bars

Leonora no. 3, overture, bars 69-76

J.S. Bach

Johann Sebastian Bach

Johann Sebastian Bach

Johann Sebastian Bach

J.S. Bach

Johann Sebastian Bach

Mahler Symphony no. 2, V. Im Tempo des Scherzos

J.S. Bach

Johann Sebastian Bach

O Devine Redimer by Charles Gounod Columbia Record A-5519 Recorded 15.09.1913

Dissonance in Mozart's Adagio and Fugue in C minor, K. 546

Antonio Vivaldi, Winter mvt 1: Allegro non molto, performed by The USAF Concert Band and Singing Sergeants

Sound file of a brief passage from Mozart's Piano Sonata in G, K. 283 Third movement, starting measure 247. .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      

Double Concerto in A minor (Op. 102), concerto for violin, cello, and orchestra — 2nd movement. Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

O Come, O Come, Emmanuel performed by the United States Army Old Guard Fife and Drum Corps at George Washington's Pohick Church.

Klaviersonate Nr. 15 D-Dur op.28 Pastorale - III. Scherzo (allegro vivace)

Alice Guszalewicz sings the Komm' o Hoffnung aria from Beethoven's Fidelio

Klaviersonate Nr. 12 B-Dur, op. 26 - II. Scherzo - Trio - Allegro molto

A synthesized rendition of Wolfgang Amadeus Mozart's "A Musical Joke" (German: "Ein musikalischer Spaß", K. 522), played on three violas staccato, three violas pizzicato, one cello pizzicato, and one English horn.

This Land is Your Land to a semi-traditional tune with text by Woody Guthrie, sung by myself, F major

Unrestored version. Enrico Caruso, Frieda Hempel, Maria Duchêne, Andrés de Segurola, and Léon Rothier perform "È scherzo od è follia" from Giuseppe Verdi's Un ballo in maschera (1859), in this 1915 Victor Recording. This is Matrix C-14660, recorded 3 April 1914 in New York City, and released under a variety of labels. ([http://victor.library.ucsb.edu/matrixDetail.php?id=200014967 full details).

Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.

Scheherazade, Symphonic Suite, Op. 35.

Scheherazade, Symphonic Suite, Op. 35. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.

Klarinettenkonzert A-Dur (adagio) Clarinet Concerto KV 622, 2nd mvt. (adagio)

Marcha de las Malvinas interpretada por la Fanfarria Alto Perú de Granaderos a Caballo

The Star-Spangled Banner and the dual national anthems of South Africa performed at the White House in 1994.